PATA strives to be a valuable resource to our local theatre community. On this page you will find resources to help support both organizational members and individual members. If you do not find the resource you are looking for, please reach out to our office manager.

photo credit: Mark Daniels

Company Member Resources

These resources are meant to help you and your organization find the tools and talent you need to create vibrant theatre in our community.

Theatre Technicians

Individual PATA members have indicated in their profiles their technical skill sets. Navigate to our member directory and use our filter feature to find the right person for your technical needs.

Rentable Space

Company members of PATA have indicated in their profiles whether or not they have rentable space. Search our directory and then contact the appropriate company member to learn more about availability.

EDI Resources

PATA strives to connect our members with the resources they need to create a more equitable environment for our members. If you would like resources to help you or your organization with your EDI initiatives, navigate to the bottom of this page or email our EDI committee chair Samson@PortlandTheatre.com.

Individual Member Resources

Are you an individual member of PATA? Here are some quick and easy ways for you to get involved, get connected and get support. 

Private Instructors

If you are looking for one on one coaching the best way to get connected is through our Member Directory. Search for a member by their Technical Arts Skill Set and contact them directly.

Accompanists

If you are looking for an Accompanist the best way to get connected is through our Member Directory. Search for a member by their Performance Skill Set and contact them directly.

Education

Many of our Company Members offer ongoing educational opportunities. To find a list of such companies, search our member directory.

Audition Resources

We have compiled the following valuable information to help you prepare for an online/taped audition. 

Minimum video quality: 1920 pixels x 1080 pixels.

Make sure to have adequate lighting, so that you are clearly visible.

Record in a quiet place to avoid distracting background noise.

Emphasis should be on you rather than your environment. We recommend a default background of a blank wall or backdrop. However a blank background is not required.

Landscape orientation is preferred, but portrait orientation is acceptable.

You may frame yourself as best fits the piece being presented.

  • An intimate or quieter piece with little physical movement, or a piece geared toward filmmakers, can be framed to show only your head and shoulders.
  • If you are presenting very physical work or seeking to work with outdoor or large venues, full body or 3/4 framing from above the knees and up is recommended.
  • If you are undecided, we recommend 3/4 framing as a default.

Trimming the start and end of your video to keep the emphasis on your audition is encouraged.

Editing and cutting your video to showcase your best take of each portion (slate, piece 1, piece 2) is acceptable but not required. If you opt to edit/cut your video, we discourage edits during a song or monologue. The emphasis should be on your performance skills (instead of your editing skills).

If you film your slate and/or performances separately, edit them together to create one seamless video to make viewing easier for the auditors. While our database and the binder can accommodate having multiple links in one blank, it turns out the Excel spreadsheet that some auditors like to use cannot.

You may use the video distribution platform of your choice. Alt hough the option is offered to have a password for password protected videos, we strongly recommend that you adjust the settings of your video to enable anyone with the link to view it. Entering a password would be an additional step for our auditors.

Some platforms (such as YouTube) offer the option to set a video to “unlisted,” which means the platform does not suggest publicly to viewers that they watch the video. However, recipients of the video’s URL can view it.

Note that some platforms (such as YouTube) do not allow viewers to download videos. Other platforms (such as Vimeo) allow viewers to download videos if the person who posted the video has an account upgrade enabling them to make videos downloadable. Making your video downloadable is not required, but enables auditors to save and re-watch your video, even if you have deleted it.

We recognize that due to social distancing measures, access to an in-person in-the-moment accompanist will be difficult if not impossible for many candidates. Therefore, the requirement to work with an accompanist in-person in-the-moment will be waived for 2022 Citywide General Auditions.

Instead, we very strongly recommend that singers sing with a pre-recorded instrumental accompaniment such as a karaoke track.

Accompanying yourself or singing a capella, while allowed, are not recommended. Auditor consensus has been that these methods do not provide the information they need to determine whether to cast you for a musical. If you wish to play your own accompaniment, record the accompaniment separately, and then sing along with the recording.

When recording your audition, place your music player and yourself at distances from your recording device such that neither drowns out the other.

The Citywide General Auditions are like a job interview, so your attire should reflect your professionalism.

Avoid distracting clothes: jewelry, uncomfortable or noisy shoes, loud patterns, torn jeans, T-shirts, etc.

Avoid wearing solid black, solid white, and small patterns.

Style your hair in a way that keeps it out of your eyes.

Other Resources

If you would like to add a resource or report a resource’s expiration, please email the PATA Office Manager. Click a link below to learn more about the resources available. If you are based in Oregon or Southwest Washington, and you are unable to find appropriate assistance using this page, we suggest contacting 2-1-1 by phone or at their website, 211info.org.

Crisis Text Line: Text “HOME” to 741741

LGBT National Help Center

LGBT National Hotline 888-843-4564

LGBT National Senior Hotline 888-234-7243

LGBT National Youth Talkline 800-246-7743

Lines for Life

Oregon Behavioral Health Support Line 1-800-923-HELP(4357)

Substance Abuse and Mental Health Services Administration (SAMHSA). Helpline: 800-662-HELP (4357)

Suicide Prevention Lifeline: 800-273-TALK (8255)

Trans Lifeline: (877) 565-8860 (US)

The Trevor Project:

Helpline: (866) 488-7386 (phone) 

Text “START” to 678-678 to text. (Standard messaging rates apply)

 

Veterans Crisis Line: 800-273-8255 (call); 838255 (text)

Community Alliance of Tenants (Oregon)

Portland Housing Bureau (For Renters, Homeowners, and Landlords)

Rent and Utility Assistance:

Impact NW 

Home Forward 

Community Action 

Human Solutions 

Portland United Against Hate (Hate Incident Report Collection)

Report Racism in Portland Theatre. (Not a PATA project. Created by Samson Syharath independently.) 

MRG Foundation Rapid Response Grants Program. Designed to provide grassroots organizations and community organizing projects with rapidly deployed small grants to respond to emergencies and opportunities. 

CymaSpace

The Disability Art and Culture Project

PHAME’s Resource List from One Community Breakfast 2020: Includes documents from JP Morgan Chase’s Autism at Work program and a list community organizations supporting inclusive employment of people with disabilities.